AMIS Latin American Festival 2022

(1:32:37)

Martin Amis on Trump, racism and political correctness

(4:45)

AMIS 2022: What is an Early Banjo?

(31:19)

AMIS 2022: “I Can’t Turn Off What Turns Me On” A Queer Phenomenology...

(33:)

AMIS 2022: Hugh Le Caine’s Electronic Sackbut, 1946 to 1954

(18:48)

AMIS 2022: George Hooper Mead: One of Canada’s First Instrument Makers, 1827–1851

(29:44)

AMIS 2022: The Radio as a Musical Instrument: Five Composition Practices from Electronic Music

(26:46)

AMIS 2022: The Electronic Sackbut Project

(31:47)

AMIS 2022: New Soundscapes on the “Ligeti guitar”: Chopin, Kurtág, and Saariaho

(31:19)

AMIS 2022: Historical Instruments in Virtual Acoustic Environments:

(26:41)

AMIS 2022: Tuning, Timbre, and Technique: Reconsidering the 19th-Century Double Bass

(30:56)

AMIS 2022: The Early Piano in America, 1745–1810

(23:25)

AMIS 2022: Italian Non-sounding Musical Instruments in the Age of the Marvelous: ...

(24:23)

AMIS 2022: Apache Fiddles: Tradition, Forced Assimilation, Commerce, and Museums

(31:2)

AMIS 2022: A Breath of Modernity! Camille Saint-Saëns and Wind Instruments

(23:22)

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(7:4)

AMIS 2022: Archiving Post-1960 Musics: Four Experiences of Engagement

(1:5:19)