AMIS Latin American Festival 2022

(1:32:37)

Martin Amis on Trump, racism and political correctness

(4:45)

AMIS 2022: The Electronic Sackbut Project

(31:47)

AMIS 2022: New Soundscapes on the “Ligeti guitar”: Chopin, Kurtág, and Saariaho

(31:19)

AMIS 2022: What is an Early Banjo?

(31:19)

AMIS 2022: The Radio as a Musical Instrument: Five Composition Practices from Electronic Music

(26:46)

AMIS 2022: Hugh Le Caine’s Electronic Sackbut, 1946 to 1954

(18:48)

AMIS 2022: The Pervasive use of English in Electronic Music Instrument Design...

(32:26)

AMIS 2022 The Ondes Martenot A Brief History and Contemporary Design Trajectory 1928–2022

(1:6:58)

AMIS 2022: A Breath of Modernity! Camille Saint-Saëns and Wind Instruments

(23:22)

AMIS 2022: Historical Instruments in Virtual Acoustic Environments:

(26:41)

AMIS 2022: George Hooper Mead: One of Canada’s First Instrument Makers, 1827–1851

(29:44)

AMIS 2022: Historic Cardboard and Metal Discs Revisited

(28:27)

AMIS 2022: The Hochbrucker Family and the Adoption of the Pedal Harp before 1760

(23:46)

Tobssi Hami 3aytou L Mon Amis

(2:37)

AMIS 2022: Italian Non-sounding Musical Instruments in the Age of the Marvelous: ...

(24:23)

AMIS 2022: Hexagram or Star of David?...

(31:22)

AMIS 2022: Rebuilding the 5th Triad A Range

(33:2)