The Fotokem Telecine Adventure

(4:30)

Academy GOLD RISING - FotoKem Post-Production Intern Project

(7:39)

Fotokem

(11:9)

Innovations In Film — 65mm Black and White in Oppenheimer

(8:27)

FotoKem Frame By Frame - HPA Award Intro

(5:10)

Color grading at FotoKem

(1:50)

COLOR MATTERS | Episode 4 - 'Why Color Matters'

(6:27)

FotoKem Film And Video (2006) Logo

(22)

Recreations: The Creator with DP Oren Soffer

(5:23)

The LOOK of DUNE - Digital to Film to Digital

(6:48)

The making of I CAN BE WHO I WANNA BE Music Video Behind-the-scenes Mitchell GC Fries Camera

(8:24)

Sean Baker Takes Letterboxd to Get a 35mm Anora Print Made

(4:34)

The making of \

(5:2)

Emile Mosseri Presents Heaven Hunters Live at The Masonic Lodge at Hollywood Forever

(43:8)

Digit8 - I can be who I wanna be (Official Music Video) - shot on 35mm film Mitchell GC Fries Camera

(5:28)

Greig Fraser and the Cinematography of Dune: Part Two | #DolbyCreatorTalks

(27:53)

Kodak - How Film is Made - 1958 - kf5czo.blogspot.com

(18:23)

Baraka 8K restoration

(7:5)

FotoKem Film and Video/Lions Gate Films (2005)

(18)

Jacob Rosenberg, CTO of Bandito Brothers and Tom Vice of FotoKem

(11:55)

FotoKem Film And Video/Victor Hugo Pictures Distribution (2005)

(21)

Distance - Southern Illinois University Thesis Film - Winner of Fotokem Grant

(23:27)

LA-ANNABel LEE /fotokem

(5:32)

SGO Customer Case Study- FotoKem San Andreas

(2:38)

FOTOKEM.

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HUE—MAN // A Mini Documentary

(4:10)

Blue Yonder Films/Dist. by The Weinstein Company/FotoKem [Closing] (2005) [fullscreen]

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