follow the sound: Albee Square Mall

(1:54)

N'DEA DAVENPORT - Out take from Finding the Funk

(12:7)

N'DEA DAVENPORT on club culture, soul music and post-hip hop funk.

(12:11)

follow the sound: Roseland Ballroom

(3:2)

James 'Diamond' Williams of the Ohio Players on showmanship, album covers and the road.

(12:7)

James 'Diamond' Williams talks joining the Ohio Players and his influences

(12:11)

Diamond Williams, legendary drummer of the Ohio Players, talks Dayton as Funk Central

(9:17)

follow the sound: Other Music

(2:9)

Sly and Novena

(48:4)

MISTY COPELAND talks dancing the Firebord at the Met.

(6:56)

Sly and Novena

(48:4)

D'Angelo talks funk and plays a P-Funk tune.

(36:8)

Nelson George on Black Music: Jimi Hendrix, Stevie Wonder and Motown

(54:28)

Boosty Collins in a NYC hotel.

(1:27:14)

Nelson George Speaks On New Book About Don Cornelius, Soul Train + Weighs In On RedNose Dance

(18:5)

Hip-Hop historian Nelson George (1998 Interview)

(42:33)

THOWBACK TO FORT GREENE CIRCA 2010

(4:16)

Greg Tate - Funk is Dead

(3:10)

The Feared George \

(4:25)

QUESTLOVE on Prince's relationship to funk and rhythm, and a brief talk about Sly.

(9:41)

Nelson George on Aura, the Ohio Players and the Commodores as a funk band.

(5:5)

George Clinton in a New Jersey hotel room for Finding the Funk in 2012.

(1:12:41)

Shock G: FUNKY CONVERSATION

(30:10)

James 'Diamond' Williams of the Ohio Players on showmanship, album covers and the road.

(12:7)

Jennifer Jason Leigh: Quentin Tarantino Has His Own Blood | CONAN on TBS

(3:38)

Touré Calls Vlad Pathetic for Saying Kendrick vs Drake Battle was Close (Part 10)

(3:16)

James Brown - It's A Man's Man's Man's World - Live - 11 July 1981 • World of Jazz

(5:2)

Hip-hop was born 50 years ago. Nelson George discusses its evolution and legacy

(7:55)

James 'Diamond' Williams talks joining the Ohio Players and his influences

(12:11)

Nelson George - The Plot Against Hip Hop - Part 1

(14:29)

Nelson George on Baz Luhrmann, Elvis \u0026 The Black Community + Cultural Appropriation

(6:43)